Part of Charlotte Lit’s “Keeping Pen to Paper” Series.
Writers who are developing their craft are frequently encouraged to find their voice. This can be confusing. Many of us write in many different forms — poems, personal essays, fiction, screeds, and so on — and different forms, even from the same writer, can require different voices.
So how might we learn the nuances of voice?
One of my favorite methods is to copy. And I mean this literally: open up a book by a writer whose voice you like or find interesting, and copy out (long hand or with your computer) a page or two. Then, continue the scene or start a new scene trying to emulate that voice. Repeat with two other writers.
This helps you to find your own voice in several ways. First, it immerses you in writing that has a distinct voice, in a way that’s different than just reading it. If you can find the cadence and choices of, say, Anne Patchett, you are on your way to understanding voice more deeply. Second, it should help you to better understand that your voice is not something that springs forth naturally and without effort. You choose your voice; you cultivate it over time. At Charlotte Lit, we like to remind writers that the finished product is not the result of magic, not of luck, not just of talent. Rather, “it’s a made thing.” You make it what it is. And so too do you make your voice what it is.